Saturday, November 9, 2013

Denver Comic Con

Denver Comic Con is a 3-day multigenre convention held annually in Denver, Colorado in the United States. The inaugural convention was held June 15 to 17, 2012 and was created as a fundraiser for the non-profit educational program Comic Book Classroom. The 2013 event was held May 31 to June 2, 2013 at the Colorado Convention Center, and will return in 2014 with a greatly-expanded space and streamlined ticketing system, on Father's Day Weekend, June 13 - 15.
Denver Comic Con embraces a host of popular arts including comic books, tabletop and video games, anime, manga, cosplay, horror and science fiction, webcomics, movies, television and literature.

The Denver Comic Con executes one of the largest programming schedules of any major genre convention, with over 250 distinct events in 2012 and almost 300 in 2013. The convention includes celebrity panels, seminars with professional creators, actors and artists, workshops with comic book professionals, and the DCC's Reel Heroes Independent Film Series. DCC's programming and guest line-ups are unique among conventions in that they actively promote the convention's twin missions of Community and Diversity. Among the distinct tracks of programming, for instance, the convention focused on comics and media featuring or produced by Colorado-area comics creators, women, minorities and the GLBT Community.

Like most comic book conventions, Denver Comic Con also features a large floorspace for exhibitors. Elements of the Con floor in Denver include celebrity autographs, a large artists’ alley, comic book dealers and collectibles merchants, as well as fan-based organizations like the 501st Legion.

During the 2012 Denver Comic Con, a special message by Stan Lee was broadcast to the Con floor, announcing his status as Guest of Honor for the 2013 Denver Comic Con. It was subsequently reported that Lee was forced to cancel his appearance due to a scheduling conflict with his cameo appearance in a Marvel movie. William Shatner, best known for his portrayal of Captain James T. Kirk in the Star Trek media franchise, appeared as the new Guest of Honor.

Guests at the 2013 Denver Comic Con included Guest of Honor William Shatner, Star Trek’s George Takei, Peter Mayhew of Star Wars, Colin Baker and Daphne Ashbrook from Doctor Who, Kelly Hu of X2: X-Men United and Erin Gray of Buck Rogers in the 25th Century. Many of the stars of the web series The Guild also attended, including Felicia Day, Wil Wheaton, Robin Thorsen, and Sandeep Parikh. Animation guests included Phil LaMarr (Futurama), Khary Payton (Teen Titans) and Dee Bradley Baker (American Dad).

Comics and artistic guests included Neal Adams, Denny O’Neill, Chris Ware (Building Stories), Jeffrey Brown (Darth Vader and Son), Marvel legend Jim Steranko, and indie artists Peter Bagge and Jim Mahfood.

Long lines disrupted Denver Comic Con at the beginning of the 2013 event, when over 15,000 fans lined up for entry. Some fans were turned away on the order of Denver's fire marshall. Over 61,000 fans ultimately attended the convention in 2013.

Associated events include the Four Color Mixer, a private after-party, and Rock Comic Con, a genre-themed concert at the Hard Rock Café Denver. Cosplayers are featured during the annual DCC Cosplay Shindig.

Since the inaugural 2012 Denver Comic Con, Breckenridge Brewery has collaborated with the Denver Comic Con to brew and sell a specialty beer, with the name chosen by a fan contest. The 2012 beer, an American wheat ale, was named, “The Fantastic Pour.” The 2013 beer, a Belgian Wit brewed with Buddha’s Hand fruit, was dubbed "The Caped Brewsader.
Aurora Rise, a non-profit group founded to provide financial support to victims of the 2012 Aurora shooting, appeared at the 2013 Denver Comic Con.


In March of 2013, Denver Comic Con was voted “Best Fan Convention” by the editors of Westword, a local alternative press publication.

Friday, November 8, 2013

The Denver Public Library is the public library of the city of Denver

The Denver Public Library is the public library of the city of Denver, Colorado in the United States. Its administrative headquarters is on the seventh floor of the Central Library in Downtown Denver. In 2010, the library had 2,288,842 items in its collection and a library card base of 339,883 local residents. In addition to its Central facility, it has 23 branches and a bookmobile program.

The library was established in June 1889 by City Librarian John Cotton Dana in a wing of Denver High School. In 1910, the library acquired a building of its own, called the Central Library, a Greek revival design funded by philanthropist Andrew Carnegie that was located in Civic Center Park in downtown. Between 1913 and 1920, Carnegie also underwrote construction of the first eight branches of the city library. Previously the city relied on traveling trunks of books. The city commissioned a new structure that is located on Broadway and 14th street and built by the firm of Fisher & Fisher/Burnham Hoyt. Burnham Hoyt is the identified architect of the north wing of the central Denver public library, built in 1955.

In 1990, 75% of Denver voters approved a $91.6 million bond issue to add onto the Fisher and Fisher/Burnham Hoyt building. The 540,000-square-foot (50,000 m2) structure was designed by architect Michael Graves and the Denver firm of Klipp Colussy Jenks DuBois, and is beside the Denver Art Museum. The building at 1357 Broadway was listed on the National Register of Historic Places 1990, as Denver Public Library.

The Denver Public Library has a large Western History collection, which began under the direction of City Librarian Malcom G. Wyer and includes 600,000 photographs, 3,700 manuscript archives, 200,000 cataloged books, pamphlets, atlases, maps, and microfilm titles as well as a collection of Western fine art and prints. The Western History Department holds the Otto Perry collection of railroad photographs, numbering 20,000 negatives from all parts of North America made available for viewing on the Internet.

The Western History and Genealogy departments merged in 1995 and are located on the fifth floor. The Genealogy department includes 60,000 books, 75,000 pieces of microform, and hundreds of magazine and newsletter titles, charts, clippings, atlases and manuscripts.


The Blair-Caldwell African American Research Library serves as an educational and cultural resource focusing on the history, literature, art, music, religion, and politics of African Americans in Colorado and throughout the Rocky Mountain West. The Library opened in 2003 and houses a full service branch library, research archives and the Western Legacies Museum, an exhibition space that spans more than 7,000 square feet (650 m2) and includes an African American Leadership Gallery, a replica of the Office of Denver Mayor Wellington E. Webb, and rotating exhibits which highlight historical periods, notable individuals and local Denver history.

Wednesday, November 6, 2013

Whats the best time to visit Denver

The most important thing to remember when travelling to Denver is this:  Denver and the Rocky Mountains do not have the same weather.   Denver is around 5280' (1609M) in elevation while Aspen is around 8,000' (2438M) and other ski resorts are even higher than 10,000' (3000M). In the winter, there may be massive snow storms going on in the mountains and ski resorts, while Denver is dry as a bone and warm.

In general,  Denver is SUNNY all year-round with over 300 days of sunshine annually on average. Bring your sunscreen, sunglasses and hat because at this elevation, the sun can be quite strong. Summers are hot and dry, but nights cool off considerably.  During June, there  also tend to be thunderstorms during the afternoons almost every day.  They roll in with dramatic skies and sometimes spectacular displays of lightning.  The rain cools things off and clears the air. They pass quickly, often lasting only a few minutes, before they move east over the plains. Winters are also sunny and dry in contrast to the mountains that receive  the famous champagne (dry, fluffy) powder (snow). A few cold days are often followed by warm temperate days, always with lots of sun. It is not uncommon for Denver to have days close to 60F (16C) throughout the winter months, followed, of course, by some very chilly days.  Typically there are two weeks of really hot weather in summer and two really cold weeks in winter.  In between, Denver is quite comfortable all four seasons.  Spring and fall are beautiful.  Dining outside is a three season affair.

Getting into the mountains is easy year-round except for during an active snow storm.  Denver and Colorado take good care of the highways and roads to make sure tourists can access the Rocky Mountains for four seasons of recreation, relaxation, and sports.  If you are unaccustomed to driving in snow or in mountains, it might be better to let someone else drive or get a good rental car for snowy conditions - four-wheel drive and heavy with GOOD tires.  During the summers, nights in the mountains can get quite chilly, even cold at high elevations.


The best time to come?  Anytime!  Colorado is one of the few places in the world where you can ski in the morning in the Rockies, and golf in the afternoon in Denver, wearing shorts and a T-shirt for both.

Tuesday, November 5, 2013

Civic Center in Denver

Civic Center is a neighborhood and park in Denver, Colorado. The area is known as the center of the civic life in the city, with numerous institutions of arts,
government, and culture as well as numerous festivals, parades, and protests throughout the year. The park is home to many fountains, statues, and formal gardens, and includes a Greek amphitheater, a war memorial, and the Voorhies Memorial Seal Pond. It is well known for its symmetrical Neoclassical design.

Civic Center is located in central Denver just south of the Central Business District. The park is located at the intersection of Colfax Avenue and Broadway, perhaps the best-known and most important streets in Denver. The park borders are defined as Bannock Street on the west, Lincoln Street on the east, Colfax Avenue on the north, and 14th Avenue on the south. The institutions surrounding the civic center are generally thought of as part of the Civic Center area, and future plans for the civic center would extend the area further west all the way to Speer Boulevard.

Civic Center is also a neighborhood defined by the Denver city government, but is probably identified in the minds of Denverites as the "Golden Triangle." The borders of this neighborhood are Speer Boulevard on the west and south, Broadway on the east, and Colfax Avenue on the north.

Civic Center was an idea that originated with former Denver mayor Robert W. Speer. In 1904, Speer proposed a series of civic improvements based on the City Beautiful Ideas shown to him at the 1893 World Columbian Exposition in Chicago.

Speer hired Charles Mulford Robinson among others to develop plans for the area. Robinson proposed extending 16th Street to the Colorado State Capitol and to group other municipal buildings around a central park area. However, the plan was defeated in a 1907 election.

Undaunted, Speer gathered business leaders who brought in new ideas for the Civic Center including the creation of an east-west axial between the Colorado State Capitol, and swinging the north and south borders of the park into the city grid system.

These plans were stalled when in 1912, Speer was replaced as mayor. The new mayor brought in Frederick Law Olmsted, Jr. who was developing plans for Denver's mountain parks. His ideas include an informal grove of trees on the eastern edge of the park, and a lighted concert area.
When Speer was reelected in 1916, he re-pursued his ideas about the Civic Center, hiring Chicago planner and architect Edward H. Bennett, a protégé of Daniel Burnham. Bennett combined the ideas of all of the previous plans, adding the Greek amphitheater, the Colonnade, the seal pond, and the realignment of Colfax Avenue and 14th Ave., around the park. The park officially opened in 1919.

Civic Center has long been the government, arts, history, and learning nexus of both the state of Colorado and the Denver Metropolitan Area. Among the institutions in the Civic Center are Denver Art Museum, and the Denver Public Library's Central Library along the parks south side, the Colorado State Capitol and the City and County Building of Denver along the east and west axis of the park, the Wellington E. Webb Municipal Office Building on the park's north side, and the Colorado History Museum and the Colorado State Judicial Building towards the southeast of the park. The Denver Mint lies immediately west of the Civic Center Park across the street from the City and County Building.

Civic Center is known throughout the state as the rendezvous for the largest and most important cultural and civic events. Being at the center of the state and local government institutions, Civic Center has become the place for political statement for various groups and individuals representing a variety of causes. It was Civic Center where the public held a vigil for the victims of Columbine High School massacre, and 9/11. Former presidential candidate and Denver native John Kerry made a 2004 campaign stop at Civic Center, and 2008 Democratic nominee Barack Obama gave a speech there on October 26, 2008 to more than 120,000 supporters.

Civic Center is also the location for many annual events. These include:

January - The City and County Building has a Christmas lights display up until the National Western Stock Show ends in mid January.

March – Civic Center is at the end of one of the longest St. Patrick's Day parades in the nation.

April - An annual pro-cannabis rally/ cannabis culture gathering is held in Civic Center every year on April 20, otherwise known as 4/20.

May - Denver has a large Cinco de Mayo festival, held at Civic Center.

June - Civic Center is host to the People's Fair, a bohemian festival with various music, art, political booths, and other happenings; PrideFest, the annual gay pride festival is held at Civic Center, which is also the endpoint of the parade.

Summer - There are various theatre and music events held throughout the summer at the Greek amphitheater.

Summer - Each Wednesday night, the Denver Cruiser Ride stops at the Greek amphitheater, which riders refer to as the "Circle of Death."

September - A Taste of Colorado is a food and music festival held during Labor Day weekend at the park.

October - The park is the end point for a Columbus Day parade that often brings protests from American Indian groups.

December - The Parade of Lights ends at the City and County Building which has holiday lights from the beginning of the parade until the National Western Stock Show.
In 1990 and 1991, the Civic Center was the location of the CART Grand Prix of Denver.

Wednesday, October 30, 2013

List of Denver Landmarks

Denver hosts a great and rich history of culture, and continues to remain a true testament".
16th Street Mall (shown), a street rethe middle of Downtown Denver and home to many shopping, residential, and office buildings.

Avenue Theater Denver, a professional theater located in the Downtown Denver vicinity.
Black American West Museum, which reflects the history of African Americans in the West and Denver.

Brown Palace Hotel, proclaimed by Elvis as "The best hotel in the world", a historic hotel that has hosted many celebrities, dignitaries, and other important people.
Buckhorn Exchange, Denver's oldest restaurant, a historic old-west steakhouse


The Cathedral Basilica of the Immaculate Conception, where Pope John Paul II celebrated mass twice in August, 1993.

Civic Center, a neoclassical park, and the cultural, art and governmental center of Denver.
Colorado Convention Center, the newly renovated large convention center often hosts major events held in Denver.

Colorado State Capitol, the seat of the state government of Colorado.
Confluence Park, where the city started at the confluence of the South Platte and Cherry Creek.
D&F Tower, when it was built in 1910, it became the tallest building west of the Mississippi.


Denver's Downtown Aquarium, a full-sized public aquarium.

Denver Art Museum, the largest art museum between Kansas City and San Francisco.

Denver Botanic Gardens (shown), which made a Hollywood debut in Woody Allen's Sleeper

Denver Mint, the single largest producer of coins in the world.

Denver Firefighters Museum

Denver Museum of Nature and Science, one of America's premier museums exhibiting world culture.

The Denver Botanic Gardens

Denver Performing Arts Complex, the second largest performing arts center in the US after New York City's Lincoln Center.

Denver Public Library, which serves Denver's educational and entertainment needs from 24 locations and two bookmobiles.


The Union Station of Denver, both a significant historical building and future hub of RTD's rail network

Denver Zoo, one of the largest zoos of its kind, it features a gift shop and a wide array of exotic animals.

Dikeou Collection, a private collection of contemporary art that is open to the public.

Elitch Gardens, a rare downtown Amusement Park.

Elitch Theatre, an amazing historic theatre at the site of the original Elitch Gardens.

Ellie Caulkins Opera House

Four Mile House, an important stop on the Cherokee Trail and the oldest standing residential building in the metropolitan area.

Lloyd M. Joshel House, one of the finest examples of International Style architecture in Denver.
Kirkland Museum of Fine & Decorative Art, a museum featuring works of Vance Kirkland and others.

Molly Brown House, where "The unsinkable Molly Brown" once lived.

Red Rocks, a Denver-owned park and outdoor amphitheater located 15 miles west of city limits known for its natural red rock formations, acoustics and legendary concerts.
Richthofen Castle, a castle built by the uncle and godfather of the Red Baron.

Tattered Cover, a very popular independent bookstore with two locations in Denver (LoDo and Colfax Avenue), and one in the suburb of Highlands Ranch. It's hosted lectures by such great poets and minds as Denverites Allen Ginsberg and Neal Cassady.

Sakura Square or "Tiny Tokyo", the center of the historical and prominent Japanese community of Denver, first formed around 1944.

Union Station , a magnificent three-story building and the future hub of RTD's commuter rail network.


Wells Fargo Center, also known as the "cash register" building, one of the city's most identifiable buildings.

Tuesday, October 29, 2013

Denver Museum of Nature & Science

The Denver Museum of Nature & Science is a municipal natural history and science museum in Denver, Colorado. It is a resource for informal science education in the Rocky Mountain region. A variety of exhibitions, programs, and activities help museum visitors learn about the natural history of Colorado, Earth, and the universe. The 500,000-square-foot (46,452 m2) building houses more than one million objects in its collections including natural history and anthropological materials, as well as archival and library resources.

The Museum is an independent, nonprofit institution with approximately 350 full-time and part-time staff, more than 1,600 volunteers, and a 25-member Board of Trustees. It is accredited by the American Alliance of Museums (AAM) and is a Smithsonian Institution Affiliate.

Founded in 1900, the Denver Museum of Nature & Science is located in Denver’s City Park and has views of Denver and the Rocky Mountains. The Museum has had three different names since it first opened: The Colorado Museum of Natural History, The Denver Museum of Natural History, and now the Denver Museum of Nature & Science.

The Museum traces its origins back to the efforts of one man, a pioneer naturalist named Edwin Carter who devoted his life to the scientific study of Colorado birds, mammals and fauna. Since 1900, the museum collection has grown from Carter’s collection, housed in a log cabin, to a museum housing more than a million objects in its collections. Another man instrumental in developing the museum's collection through the mid 20th century was Dr Alfred Marshall Bailey, who served as Director from 1936 to 1969.

The Museum is known for its children’s discovery areas, the Space Odyssey exhibition, Gates Planetarium, the Prehistoric Journey exhibition, IMAX films, Egyptian mummies, wildlife exhibits, colorful gems and minerals, Expedition Health exhibition, temporary exhibitions, and education programs. Visitors can also experience the “best view in Denver” from the Anschutz Family Sky Terrace and Leprino Family Atrium on the west side of the building. Here, visitors see views of the Front Range, from Longs Peak in the north to Pikes Peak in the south.
The museum is partially funded by the Scientific and Cultural Facilities District (SCFD), which was created by area voters in 1988.

Barack Obama speaks with CEO of Namaste Solar Electric, Inc., Blake Jones, while looking at solar panels at the Denver Museum of Nature and Science, Feb. 17, 2009.
Discovery Zone is a hands-on educational center geared toward children. dig up a stegosaurus, make fun crafts, play on the discovery stage, inspect insect specimens, and laugh yourself outloud with funhouse mirrors.

Egyptian Mummies uses two mummies and their tomb artifacts to teach how the ancient civilization of Egypt regarded its living and preserved its dead.
Expedition Health teaches visitors about the constantly changing and adapting human body.
Gems & Minerals is a re-created mine where visitors can examine many colorful crystals and minerals found both locally and globally.

North American Indian Cultures explores the diversity among Native American groups and the practicality and artistry of their everyday objects.

Gates Planetarium!

Gates Planetarium presents a view of the universe, using technology to tell science stories and help visitors experience the universe. The 125-seat planetarium features unidirectional, semi-reclining stadium seating, 16.4 surround-sound system featuring Ambisonic—a 3-D spatial sound system, and a perforated metal dome, 56 feet in diameter and tilted 25 degrees. The current Gates Planetarium replaces the older, dome-style planetarium.

Phipps IMAX Theater!

The Phipps IMAX Theater on the second floor of the museum was built as the Phipps Auditorium in 1940, and was used for lectures, concerts, and films until 1980. Renovated and reopened in 1983 as the Phipps IMAX Theater, it seats 440 people and now shows large-format IMAX films daily.

The future!

Plans for the future include a new 126,000 square foot, five level addition. The top three levels, known as the Morgridge Family Exploration Center, will house a temporary exhibition hall, Discovery Zone exhibition for young learners, and Exploration Studios for students and teachers. The two below ground levels are known as the Rocky Mountain Science Collections Center, and will house, study, and preserve more than 1.5 million artifacts and specimens in a climate-controlled space.

Museum secrets!

While many have visited the Denver Museum of Nature and Science, few have noticed the hidden surprises camouflaged within the museum's exhibits. Kent Pendleton, one of the museum's diorama painters, was unable to sign his work. In lieu of a signature, Pendleton painted a total of 8 elves in his work hidden throughout the museum.

In the Edge of the Wild exhibit there are two mechanical butterflies that flap their wings every few seconds making up the only moving objects in the diorama exhibits.


Finally, in the IMAX lobby entrance there are several painted pictures hidden on the walls relating to Star Wars.

Monday, October 28, 2013

Brief History of Halloween

Halloween's origins date back to the ancient Celtic festival of Samhain (pronounced sow-in). The Celts, who lived 2,000 years ago in the area that is now Ireland, the United Kingdom and northern France, celebrated their new year on November 1. This day marked the end of summer and the harvest and the beginning of the dark, cold winter, a time of year that was often associated with human death. Celts believed that on the night before the new year, the boundary between the worlds of the living and the dead became blurred. On the night of October 31 they celebrated Samhain, when it was believed that the ghosts of the dead returned to earth. In addition to causing trouble and damaging crops, Celts thought that the presence of the otherworldly spirits made it easier for the Druids, or Celtic priests, to make predictions about the future. For a people entirely dependent on the volatile natural world, these prophecies were an important source of comfort and direction during the long, dark winter.

To commemorate the event, Druids built huge sacred bonfires, where the people gathered to burn crops and animals as sacrifices to the Celtic deities. During the celebration, the Celts wore costumes, typically consisting of animal heads and skins, and attempted to tell each other's fortunes. When the celebration was over, they re-lit their hearth fires, which they had extinguished earlier that evening, from the sacred bonfire to help protect them during the coming winter.

By 43 A.D., the Roman Empire had conquered the majority of Celtic territory. In the course of the four hundred years that they ruled the Celtic lands, two festivals of Roman origin were combined with the traditional Celtic celebration of Samhain. The first was Feralia, a day in late October when the Romans traditionally commemorated the passing of the dead. The second was a day to honor Pomona, the Roman goddess of fruit and trees. The symbol of Pomona is the apple and the incorporation of this celebration into Samhain probably explains the tradition of "bobbing" for apples that is practiced today on Halloween.

On May 13, 609 A.D., Pope Boniface IV dedicated the Pantheon in Rome in honor of all Christian martyrs, and the Catholic feast of All Martyrs Day was established in the Western church. Pope Gregory III (731–741) later expanded the festival to include all saints as well as all martyrs, and moved the observance from May 13 to November 1. By the 9th century the influence of Christianity had spread into Celtic lands, where it gradually blended with and supplanted the older Celtic rites. In 1000 A.D., the church would make November 2 All Souls' Day, a day to honor the dead. It is widely believed today that the church was attempting to replace the Celtic festival of the dead with a related, but church-sanctioned holiday. All Souls Day was celebrated similarly to Samhain, with big bonfires, parades, and dressing up in costumes as saints, angels and devils. The All Saints Day celebration was also called All-hallows or All-hallowmas (from Middle English Alholowmesse meaning All Saints' Day) and the night before it, the traditional night of Samhain in the Celtic religion, began to be called All-hallows Eve and, eventually, Halloween.

Halloween Comes to America

Celebration of Halloween was extremely limited in colonial New England because of the rigid Protestant belief systems there. Halloween was much more common in Maryland and the southern colonies. As the beliefs and customs of different European ethnic groups as well as the American Indians meshed, a distinctly American version of Halloween began to emerge. The first celebrations included "play parties," public events held to celebrate the harvest, where neighbors would share stories of the dead, tell each other's fortunes, dance and sing. Colonial Halloween festivities also featured the telling of ghost stories and mischief-making of all kinds. By the middle of the nineteenth century, annual autumn festivities were common, but Halloween was not yet celebrated everywhere in the country.

In the second half of the nineteenth century, America was flooded with new immigrants. These new immigrants, especially the millions of Irish fleeing Ireland's potato famine of 1846, helped to popularize the celebration of Halloween nationally. Taking from Irish and English traditions, Americans began to dress up in costumes and go house to house asking for food or money, a practice that eventually became today's "trick-or-treat" tradition. Young women believed that on Halloween they could divine the name or appearance of their future husband by doing tricks with yarn, apple parings or mirrors.

In the late 1800s, there was a move in America to mold Halloween into a holiday more about community and neighborly get-togethers than about ghosts, pranks and witchcraft. At the turn of the century, Halloween parties for both children and adults became the most common way to celebrate the day. Parties focused on games, foods of the season and festive costumes. Parents were encouraged by newspapers and community leaders to take anything "frightening" or "grotesque" out of Halloween celebrations. Because of these efforts, Halloween lost most of its superstitious and religious overtones by the beginning of the twentieth century.

By the 1920s and 1930s, Halloween had become a secular, but community-centered holiday, with parades and town-wide parties as the featured entertainment. Despite the best efforts of many schools and communities, vandalism began to plague Halloween celebrations in many communities during this time. By the 1950s, town leaders had successfully limited vandalism and Halloween had evolved into a holiday directed mainly at the young. Due to the high numbers of young children during the fifties baby boom, parties moved from town civic centers into the classroom or home, where they could be more easily accommodated. Between 1920 and 1950, the centuries-old practice of trick-or-treating was also revived. Trick-or-treating was a relatively inexpensive way for an entire community to share the Halloween celebration. In theory, families could also prevent tricks being played on them by providing the neighborhood children with small treats. A new American tradition was born, and it has continued to grow. Today, Americans spend an estimated $6 billion annually on Halloween, making it the country's second largest commercial holiday.

Today's Halloween Traditions

The American Halloween tradition of "trick-or-treating" probably dates back to the early All Souls' Day parades in England. During the festivities, poor citizens would beg for food and families would give them pastries called "soul cakes" in return for their promise to pray for the family's dead relatives. The distribution of soul cakes was encouraged by the church as a way to replace the ancient practice of leaving food and wine for roaming spirits. The practice, which was referred to as "going a-souling" was eventually taken up by children who would visit the houses in their neighborhood and be given ale, food, and money. 

The tradition of dressing in costume for Halloween has both European and Celtic roots. Hundreds of years ago, winter was an uncertain and frightening time. Food supplies often ran low and, for the many people afraid of the dark, the short days of winter were full of constant worry. On Halloween, when it was believed that ghosts came back to the earthly world, people thought that they would encounter ghosts if they left their homes. To avoid being recognized by these ghosts, people would wear masks when they left their homes after dark so that the ghosts would mistake them for fellow spirits. On Halloween, to keep ghosts away from their houses, people would place bowls of food outside their homes to appease the ghosts and prevent them from attempting to enter.

Halloween Superstitions

Halloween has always been a holiday filled with mystery, magic and superstition. It began as a Celtic end-of-summer festival during which people felt especially close to deceased relatives and friends. For these friendly spirits, they set places at the dinner table, left treats on doorsteps and along the side of the road and lit candles to help loved ones find their way back to the spirit world. Today's Halloween ghosts are often depicted as more fearsome and malevolent, and our customs and superstitions are scarier too. We avoid crossing paths with black cats, afraid that they might bring us bad luck. This idea has its roots in the Middle Ages, when many people believed that witches avoided detection by turning themselves into cats. We try not to walk under ladders for the same reason. This superstition may have come from the ancient Egyptians, who believed that triangles were sacred; it also may have something to do with the fact that walking under a leaning ladder tends to be fairly unsafe. And around Halloween, especially, we try to avoid breaking mirrors, stepping on cracks in the road or spilling salt.

But what about the Halloween traditions and beliefs that today's trick-or-treaters have forgotten all about? Many of these obsolete rituals focused on the future instead of the past and the living instead of the dead. In particular, many had to do with helping young women identify their future husbands and reassuring them that they would someday—with luck, by next Halloween—be married. In 18th-century Ireland, a matchmaking cook might bury a ring in her mashed potatoes on Halloween night, hoping to bring true love to the diner who found it. In Scotland, fortune-tellers recommended that an eligible young woman name a hazelnut for each of her suitors and then toss the nuts into the fireplace. The nut that burned to ashes rather than popping or exploding, the story went, represented the girl's future husband. (In some versions of this legend, confusingly, the opposite was true: The nut that burned away symbolized a love that would not last.) Another tale had it that if a young woman ate a sugary concoction made out of walnuts, hazelnuts and nutmeg before bed on Halloween night she would dream about her future husband. Young women tossed apple-peels over their shoulders, hoping that the peels would fall on the floor in the shape of their future husbands' initials; tried to learn about their futures by peering at egg yolks floating in a bowl of water; and stood in front of mirrors in darkened rooms, holding candles and looking over their shoulders for their husbands' faces. Other rituals were more competitive. At some Halloween parties, the first guest to find a burr on a chestnut-hunt would be the first to marry; at others, the first successful apple-bobber would be the first down the aisle.


Of course, whether we're asking for romantic advice or trying to avoid seven years of bad luck, each one of these Halloween superstitions relies on the good will of the very same "spirits" whose presence the early Celts felt so keenly.